牧江(🛋)村郊野山藏(🌂)(cáng )有一&#[展开全部]
牧江(🛋)村郊野山藏(🌂)(cáng )有一(🔋)怪，赤面(miàn )獠(liáo )牙(🦕)，名曰垃圾人(😇)(rén )，他身(🏷)世神秘，以(yǐ )垃圾(🍬)为食，日(rì )遇村妇马(🎅)秀娟，将(jiāng )其掳掠(🐎)。马秀(xiù )娟(juān )通过与(😧)垃圾人的交(jiāo )往(🐱)，发(⛹)现他虽(suī )丑(chǒu )陋(🌻)骇人，却(🎋)心(xīn )地单(💖)纯(🍖)。但天不遂(suí )人愿(♿)，“单纯(chú(💪)n )”的垃圾人(📪)却(🏭)将马秀(xiù )娟视为(🤑)配偶，囚(🛁)(qiú )于废弃厂(🤷)房。矿(😭)(kuàng )山老板徐(🤥)东南徐(🔠)(xú )西北两兄弟欲(👑)(yù )借(jiè )炸山(👦)除垃圾(🚀)人之名(míng )在野山(🌳)非法拓(tuò )矿(🐤)(kuàng )，全然(🔭)不顾马秀(xiù )娟(juā(🌆)n )安危。而垃圾(jī )人(ré(🏸)n )通过马秀娟(juān )逐(🗒)(zhú )渐了解人类的尊(🤖)重(chóng )与爱，遂将其(🧕)(qí(📁) )放(fàng )归牧江村。马(🍌)秀娟(juā(👁)n )得知徐东(♍)南(📟)阴(yīn )谋(móu )后为救(🏼)垃圾人(🧦)与之抗争(💀)，最(🛷)终被(bèi )绑于山上(😌)，垃(lā )圾(🌀)(jī )人为救马(💎)秀娟与徐(xú )东南(💬)死命相(📱)搏(bó )，后被徐东南(😻)炸死(sǐ )。环保(✅)组织声(🙋)明(míng )垃圾人出现(🆗)乃(nǎi )牧(mù )江(✨)村的环(🕴)保意识薄(báo )弱之(🛸)恶果，垃(lā )圾(jī )人本(👙)无罪，罪在(zài )人(ré(😍)n )心对环境的态(tài )度(🧔)(dù )，并呼吁民众(zhò(🍫)ng )善(🤾)待环境。
“没有(yǒu )名(👟)字的我，没(méi )有(yǒ(🍭)u )未(👘)来的她”
2012年的叙(xù(🏯) )利亚迎(👃)来了史(shǐ(🍴) )上(🏸)(shàng )最严酷寒冬，桑(👁)娜只希(🤕)望找个煤(🚣)(mé(🆑)i )气罐为儿子做(zuò(👜) )一(yī )顿(👖)晚餐。她为了搜(sō(㊙)u )寻煤气罐请(📅)了(le )一(yī(🔮) )天假，突然发现(xià(🐗)n )自己陷入了(🗣)战乱(luà(✉)n )区；她发现，战(zhà(🆓)n )争中的人们都没有(🧙)(yǒu )了影子。本片(pià(🖲)n )获(huò )第75届威尼斯电(🐞)影(yǐng )节(jiē )银狮奖(💛)。
Aom is haunted by horrible nightmares which can’t be named & explained, she gets sicker everytime she got the nightmare. During her visit to her 80 years old grandma, she find out that, her grandma who looked more dead than alive, is hosting and feeding a ghost.
“NO BORDER 2D×3D” をキャッチフ(☕)レーズに掲げ、(🗃)2Dと(⏳)3Dの境目をなくす(💿)クリエ(😑)イティブ(📦)な(🐝)活動を目指(zhǐ )す(➿)３DCGプロ(🤥)ダクショ(⛱)ン(🙍)“Picona Creative Studio”。本作はどんなも(💔)のでも(🎰)捨ててみせるゴ(🎡)ミ捨て屋コ(😷)ンビと(👊)、魔法を捨てた(😞)い魔女が繰(🔈)り広(guǎ(🕎)ng )げる、ファッシ(🚲)ョン× ポップ× ア(😋)ニメをキーワー(🔯)ドに魔法と科学(xué(➖) )を絡み合わせた(🐙)スラップスティッ(🥓)ク・アニメーシ(🌵)ョ(♿)ン。同社が長(zhǎng )年(👞)温めて(🍴)きたオリ(📺)ジ(🤧)ナル企画が、つ(😷)いに実(🚲)現！
该片改(☔)编(💒)自脱北女(nǚ )性的(⛔)真实故(❔)事(shì )，讲述的是抛(🍮)开家人(rén )，逃(😹)往韩国(👷)的(de )母(mǔ )亲与憎恨(⛩)自己的(de )儿子(😿)在16年后(😳)重逢(féng )的(de )故事。
一(🎉)部(bù )集(jí )悬疑、犯(🎼)罪、喜剧(jù )三种(🗣)元素为载(zǎi )体(tǐ )带(🐁)有推理色彩的(de )电(🔇)(diàn )影，讲述无良(liáng )律(🧒)(lǜ )师、婚姻骗子(💪)(zǐ(🀄) )、货车司机、杀(📞)手(shǒu )雇(✂)主以及变(⬜)态(🛅)(tài )厨(chú )子等几个(🎚)不同职(🚛)业(yè )的小(👕)人(😙)物在一(yī )个(gè )国(🎊)道饭店(🎲)里展开一系列啼(🗿)笑皆非(fēi )的(🤣)罗生门(🐆)生死(sǐ )斗(dòu )。
A young couple picks the wrong hideout while trying to elude the police.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
The full-length feature film "Azor", filmed in Mordovia by enthusiasts Victor Chichaykin and Alexander Uchevatkin, was ready a year ago. In autumn of 2017, the creators organized a test show, inviting connoisseurs of ethnography, ancient traditions and people interested in the theme of the history of the Erzyan people.[收起部分]
